Long term artistic and collector relationship

Contemporary art galleries often play an educational role for new collectors by providing context, guidance, and access to emerging artistic practices. Rather than focusing solely on transactions, galleries introduce beginners to artists’ backgrounds, materials, and conceptual frameworks, helping them develop confidence and informed judgment over time. At Robineau Art, this process typically begins with curated introductions to artists and exhibitions, allowing new collectors to understand contemporary art through direct engagement rather than speculation

Galleries often act as intermediaries between artists and collectors, guiding acquisitions through curatorial insight rather than purely market-based metrics. This role includes advising on artistic relevance, career development, and appropriate timing for acquisitions. Robineau Art approaches this role by aligning acquisitions with curatorial research and long-term artistic development, helping collectors build collections that reflect both personal interests and sustained engagement with contemporary art.

A man with glasses and dark hair, wearing a black shirt, stands in front of a large abstract painting with geometric shapes, in grayscale.

ZHOU SONG

Zhou explores the enigmatic realms of "New Nature", a world that encapsulates the present and future existential challenges of humanity. The artist builds on traditional Chinese philosophy, presenting a new interpretation of its key tenets through deconstruction, reconstruction, and innovation. Zhou depicts a "New Natural Landscape" of the contemporary world, aiming to explore and reflect on the existential challenges humanity faces and will continue to confront.

Graduated from the Tianjin Academy of Fine Arts in 2006, Zhou’s paintings thrive in a state of contradiction and openness questioning the potential outcomes of contemporary sciences, or the impact of the constant expansion of the universe on human desire and destiny,

  • Zhou’s paintings, combining passages of intense realism with forms that manifest in the cognitive or non-physical world, are executed in a style that obscures the use of the artist’s tools, paint, paintbrush, and pencil.

    In recent years, he has held solo exhibitions at the Powerlong Museum in Shanghai, Osthaus Museum in Hagen, the Kunstraum Villa Friede in Bonn, the Guardian Art Center in Beijing, the How Art Museum and the Today Art Museum. His work has also been exhibited in group exhibitions nationally and internationally, including at NordArt 2024 and NordArt2022 in Budelsdorf, the European Cultural Centre Art Biennale in Venice, the 13th Havana Biennale, the 3rd International Robo-Philosophy 2018. Conference in Vienna, the 11th Florence Biennale in Italy, Museum of

    Modern Art in Barcelona, the Grand Palace in France, the Fortezza da Basso in Florence, the University of Vienna, the European Art Center in Venice, the YBL Creative House in Budapest, Sotheby's in Los Angeles, the Toronto Center for the Arts, Palacio Schacht in Chile, the Inga Garcilaso Culture Center in Peru, the Panama Contemporary Art Gallery, the Costa Rica National Gallery, the National Art Museum of China.

    Zhou has received many important awards, graduating with the first place BFA thesis from the Tianjin Academy of Fine Arts (2006) and placing bronze at the National Art Academy’s Excellent Work exhibition (2006), as well as receiving the "Painting Award" at the 5th May 4th International Youth Art Festival (2012) and the "Lorenzo International Installation Art Award” at the 11th Florence Biennale (2017).

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A person with a bush covering their upper body and head, wearing green pants and black shoes, stands in a room with a plug and cord on the floor. The bush has colored pencils stuck into it.
Contemporary artwork by Chinese artist Zhou Song installed at ROBINEAU ART Gallery in Moscow
A surreal painting depicting a cluster of intertwined, elongated white candles with black wicks, some of which are burning with flames that resemble yellow and orange flames. The candles are growing from a brown, textured ground, with a soft pastel p
A pair of shoes painted to resemble a businessman with glasses, a shirt, and a tie, surrounded by greenery and a butterfly, with a glossy dark blue finish.
A surreal painting of a man's body with multiple arms, each wearing a suit and white gloves, extending in different directions. The head is replaced with a large, black, pointed shoe, and the body is twisted into a spiral shape. The background featur
Surreal artwork depicting a person with a body covered in black fur, standing on two legs, with a head shaped like a goat's head made of fur and plant-like hairs. The person's head is covered by a white mask and they hold a paintbrush. Several white
A painting of a person's arms in a business suit, with hands holding a green apple on the left and a slice of watermelon on the right. The person's face is not visible.
A surreal landscape with a tree that has pencils as its trunk and large foliage. The pencils intertwine and form the trunk, with one pencil tip touching the ground. The background features distant mountains, a blue sky, and a couple of small, cylindr

Zaim Kamaruzaman

Young man smiling with arms crossed, standing in front of a background featuring a flag with a crescent moon and star, and the word 'RESOLUTION'.

Zaim’s practice explores the strength and symbolism of institutions through a powerful visual language rooted in classical architecture and national identity using the concept of monuments as metaphors. His signature use of Roman columns and a monochromatic Romanticism with meticulously textured ballpoint pen lines imbues each piece with profound patriotic symbolism., transforming each drawing into a monument of meaning. Those impressive works evoke patriotic pride and unity with complex layers of nationhood.

  • Zaim has swiftly emerged as a compelling voice in contemporary art. With a Diploma in Fine Art (2019) and a Bachelor’s Degree in Fine Art (2021) he gained major recognition in 2023 by winning the Grand Prize at the Art Against AIDS competition and launches his first sold out solo exhibition, RESOLUTE, at Artas Gallery showing a total of 18 works.

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A decorative wall hanging featuring a classical-style column with a carved head in the center, topped by an ornate capital, and an eagle emblem at the top, mounted on a scroll rod.
A drawing of four classical columns with scroll capitals arranged to form a square. Each column holds an emblem: a globe, a lion's head, a star emblem, and a crest with an eagle. At the center, there is a star-shaped medal with a banner beneath it. T
Tapestry with the words 'The ASEAN Way', Roman-style columns, a large vase, two classical statues, and the year '1967' with a globe and the phrase 'One Vision, One Identity, One Community' at the bottom.
A woman with black hair and bangs, wearing a dark, ruffled top, a layered skirt, and boots, standing in front of a decorated wall with framed artwork and holding a paintbrush.

KEBEYO CHEN

Kebeyo Chen is a Shanghai-based artist renowned for her intricate framing and sculptural elements, which suggest passage into alternative dimensions where perception itself is questioned. Her work represents the next frontier of art beyond the canvas.

Her distinct artistic vision has led to unique brand collaborations with Astroboy, Mini Cooper, and Garfield, as well as several notable exhibitions. She has showcased her work at the Florence Biennale in Italy and the Museum of Contemporary Art in Shanghai.

  • Kebeyo Chen’s paintings are more than just images; framed by intricate, sculptural borders that blur the line between artwork and architectural relic. Each frame is ornated, twisted, and deeply textured and acts as an entryway, inviting the viewer to step inside while reminding them of the constructed nature of perception.

    Kebeyo was born in 1984 in Shanghai where she graduated from Fine Arts College of Shanghai majoring in oil painting.

    Exhibitions

    2024

    GO AS ASTRO BOY”First Art Project Of Astro Boy In China，Guangzhou

    2023

    JINGART Art Fair, Beijing

    ART021 Shanghai Contemporary Art Fair, Shanghai

    Hello Kitty Cosmos 50th，Powerlong Museum，Shanghai

    “Noblesse Collection ”, Korea

    DnA SHENZHEN，Shenzhen

    ART TAIPEI，Taipei

    2022

    “Circle of the Universe ”Solo Exhibition, Ascend Gallery, Hong Kong Ascend Gallery

    “Weaving of Times ”Solo Exhibition, HOW Art Museum,Shanghai

    JINGART Art Fair, Beijing

    Rêvons, c'est l’ heure”Group Exhibition， MADEIN Gallery， Shanghai

    ART021 Shanghai Contemporary Art Fair, Shanghai

    2021

    "Growing Wanderlust " Solo Exhibition, Shanghai

    2020

    " Relation " Exhibition, Shanghai

    LA ART SHOW， USA

    2019

    "Secret Gift " Solo Exhibition MOCA,Shanghai

    "The Seed of Wonderland " Solo Exhibition,Hong Kong

    2017

    Florence Biennale, Italy

    More about the works presented during ART RUSSIA 2025 Fair

    In this exhibition, her works take on an almost dreamlike duality. Ethereal visions of forests where the trees seem to breathe, creatures that appear as fleeting specters of memory.

    Drawing from cultural myths and personal narratives, Chen’s work transforms traditional storytelling into layered visual experiences, where the physical world and the subconscious intertwine. Her paintings don’t just depict nature; they shape the way we see it, reminding us that imagination is the most powerful lens of all.

    Kebeyo Chen Sculptures are echoes and whispering forms of the subconscious 

    Kebeyo Chen’s sculptures act as memory-keepers of a world just beyond reach. They might resemble fossilized myths, petrified spirits, or remnants of landscapes from another realm. Their fluid, interwoven textures suggest transformation rock becoming flesh, roots becoming veins, history merging with the present in a single, undulating form. These works challenge the boundaries of what is seen and what is felt, reinforcing the exhibition’s central theme: that nature and imagination are inseparable forces, shaping the stories we tell and the worlds we create.

Artwork Enquiry

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An art gallery featuring a large, stylized sculpture of a woman's face with blue hair and a black bowl on top, and framed artwork on the white wall behind it, with a blue wall and circular white and blue pattern on the right.
A decorative mirror with a frame of several large red and pink decorative elements, and the reflection shows a cluster of red and pink circular patterns.
A colorful sculpture resembling a face with closed eyes, an orange base, and a vertical arrangement of blue, spherical shapes with orange accents extending from the top.
A tall, decorative sculpture with a blue and white color scheme, featuring multiple stacked shapes with faces and floral patterns, next to a matching blue box with abstract line art.
Contemporary artwork by Chinese artist Kebeyo Chen installed by ROBINEAU ART Gallery in Moscow Art Russia Art Fair
A detailed illustration of a woman with closed eyes, surrounded by blue beads, white flowers with red centers, and a large parasol, with gold accents, signed 'Lobaea 2022'.
A blue velvet chair with a high back, featuring rounded, decorative elements on the backrest and front legs, set against a plain white background.
A decorative sculpture resembling a woman's face with a sea motif, featuring a white face with closed eyes, purple hair styled with beads, a blue scalloped shell hat, and a purple scalloped shell necklace.
Interior of a room with pink walls, featuring two framed print artworks decorated with pink objects, a white side table with a lamp and decorative bowl, and a white tufted stool with tassels.
A decorative vase with blue and red accents, designed to look like a face with closed eyes and colorful hair, positioned next to a green box with gold line art and writing.
Black and white portrait of a young woman with long hair, sitting in front of a background with floral pattern and bees.

NINA SECHKO

Nina’s paintings unfold like visual poetry, weaving together mythology, personal history, and universal symbols of femininity and renewal. Rooted in her experience of growing up surrounded by strong women, her mother, grandmother, sister, and now her own daughters, her work reflects the warmth and care passed down through generations.

Her paintings become meditations on life’s cyclical nature, where for example an apple tree serves as both a deeply personal and archetypal metaphor.

  • The apple tree in her work is more than a motif, it is a symbol of fertility, continuity, and the inevitability of change. Like a woman, the tree exists in phases: blooming, bearing fruit, shedding its apples, and resting in winter.

    Nina Sechko was born in1992, Moscow, Russia and in 2015 she graduated with honors from Moscow State Medical University . From 2016 to 2018 she completed residency in maxillofacial surgery

    Artistic Career

    2018: Established a personal art studio in Moscow to explore contemporary representations of the human body in painting

    Artistic Focus: Merging medical knowledge with artistic expression, creating a unique universe that reinterprets the human psychology

    Solo Exhibition

    2022:"This is Lu", Central City Tower, Moscow, Russia

    Group Exhibitions

    2023:"The Ground is Disappearing from Under Your Feet", Moscow, Russia

    2024: "Connecting Past to Present", Lutra Gallery, Shanghai, China

    2025”Art Russia”

    Upcoming Exhibition

    September 2025 “ Pop up group show” during Art Basel in Le Marais - Paris

    More about the works presented during ART RUSSIA 2025

    The apples themselves become stand-ins for human life, fragile yet inevitable, nurtured yet subject to fate. In Harvesting, the contrast between apples still clinging to the tree and those that have fallen speaks to the unpredictable nature of existence, where a gust of wind or an unseen hand can alter one’s path in an instant.

    Through a restrained yet powerful use of light, always emanating from a single source, Nina evokes the spiritual dimension of these works, subtly referencing the presence of the divine. Drawing from Greek mythology, Slavic folklore, and religious iconography, her paintings transcend the personal to become a shared human narrative, reminding us that we are all part of the same eternal rhythm of growth, transformation, and renewal.

    Nina Sechko’s sculptures: Earth, Femininity, and Sacred Form

    Nina’s sculptures stand as echoes of ancient fertility goddesses, grounding her exploration of womanhood in something primal and eternal. Inspired by pre-historic depictions of female deities, her figures emphasize rounded forms, seated postures, and a profound connection to the earth.

    These works do not merely depict women; they embody the essence of femininity as a force of creation, resilience, and cyclical renewal.

    The exaggerated hips and grounded postures speak to the deep-rooted relationship between women and the natural world, reflecting the same cycles seen in her paintings of the apple tree—birth, growth, decline, and rebirth.

    Her use of mythology continues in sculptural form, where references to the Hesperides, the Greek nymphs guarding the sacred apple tree merge with the spiritual weight of Slavic and Buddhist traditions. The figures, solid and timeless, remind us of the unbroken lineage of feminine energy that has nurtured, protected, and sustained life throughout history.

    In these works, Nina invites the viewer to experience femininity not just as an aesthetic subject, but as a sacred and universal creation.

Artwork enquiry

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Three girls in a lemon orchard. Two girls are sitting on a bench, one holding lemons and the other picking lemons from a tree. The third girl is standing, reaching toward a lemon tree. Multiple lemons with eyes and smiles are on the trees, on the gir
Clay sculpture of a woman with fish on her lap, featuring a serene expression and long hair, set against a neutral background.
Contemporary artwork by Russian artist Nina Sechko installed at ROBINEAU ART Gallery in Moscow
A girl with pink hair sitting with a large ball of yellow yarn and a snake-like creature entwined around her, holding a knitting needle.
A beige ceramic sculpture of a girl's face with long, flowing hair. The face has simple carved features with holes representing the eyes and mouth. The sculpture has a rough, textured surface.
A modern living room with white walls, a white chair with wooden accents, a white sideboard with greenery in glass vases, and a colorful painting of a girl eating ice cream.
Three small fruits with faces, resembling apples, hanging on a branch with green leaves. The fruits have cartoonish eyes and smiling mouths, giving them a playful appearance.
A ceramic sculpture of a girl with long hair, sitting on what appears to be a whale or sea creature, with the girl looking downward with a calm expression.
Black and white photo of a man with curly hair and beard wearing a leather jacket, standing in front of a decorated wall.

JORDY KERWICK

Jordy has rapidly gained global recognition with his distinctive style which is characterised by textured compositions rich in pattern and color, achieved through the use of oil, acrylic, and spray paint on canvas.

His work has been showcased in several notable exhibitions, including a solo exhibition at the National Museum of Thyssen-Bornemisza in Madrid, Spain, Vito Schnabel Gallery in St. Moritz, Switzerland , Carl Kostyal, Milan and has entered notable permanent collections such as Reina Sofia Museo, ICA Miami, Florida, USA, Fulton Ryder (Richard Prince), NYC, USA to name a few ..

  • Mythic Beasts in a Surreal Wilderness

    Jordy Kerwick’s paintings unravel like modern-day fables, where animals and landscapes exist in a dreamlike state—familiar yet untamed, primal yet poetic. His textured layers and distinctive use of color create a world where tigers, wolves, and serpents move freely between the real and the mythical. Rooted in his Australian identity, Kerwick channels the vastness of the wild landscape into his compositions, transforming nature into a theater of surreal storytelling.

    Born 1982, Melbourne, Australia and lives and works in Gaillac, France

    Permanent Collections

    Reina Sofia Museo, Madrid, Spain
    ICA Miami, Florida, USA
    Fulton Ryder (Richard Prince), NYC, USA
    Museo Thyssen, Madrid, Spain
    Beth DeWoody Bunker Artspace Foundation, Florida, USA
    Colleccion Solo, Madrid, Spain
    Allegra Arts Foundation, Madrid
    Denver Art Museum, Denver
    Chu Foundation, Hong Kong
    AMOCA, Cardiff

    Solo Shows

    2024

    “Be sure to never get to where you are going” February 2024, Carl Kostyal, Milan

    2023

    “Jordy Kerwick”, September 2023, Museo Thyssen, Madrid, Spain
    “So many sheep, so few wolves cont.” July 2023, Vito Schnabel Gallery, St Moritz, Switzerland
    “Serpent vs Wolf”, June 2023, Yorkshire Sculpture Park, UK

    2022

    “Pink Sunsets, Cigarettes, 3 Regrets and the hope to haunt the future”, May 2022, Vito Schnabel Gallery, LA, USA
    “I Want You To Remember This”, November 2022, The Arts Club,
    “So Many Sheep & So Few Wolves”, November 2022, Vigo Gallery, UK

    2021

    “Things we talk about, things we see”, September 2022, NYC, USA
     "Don’t burn the house down yet”, January 2021, Allouche Benias Gallery, Athens, Greece

    And more …

    Group Exhibitions

    2022

    “These Days Pt II”, Sothebys March 22, LA, USA
    “Observation” Galerie Perrotin November 2022, Dubai, UAE

    2021

    “Mixed Pickles 8”, Ruttkowski Gallery, Munich, Germany

    2020

    “Don’t Give a Damns”, July 2020, Marian Cramer Gallery, Amsterdam, Netherlands
    “Limbo”, September 2020, Everyday Galeri, Antwerp, Belgium
    “Paradiso”, September 2020, Mini Galeri, Amsterdam, Netherlands
    “NBB #1”, September 2020, NBB Gallery, Berlin, Germany

    And more ....

    Two-Person Shows

    2024

    “Year of the Dragon” with Kazuma Koike, February 2024, Aisho Nanzuka, Hong Kong
    “For a Bestial Poetics” Chico Da Silva and Jordy Kerwick, November 2024, Secci Gallery, Milan

    2021

    “Untitled” with Anastasia Bay, June 2021, Sorry We’re Closed Gallery, Brussels, Belgium
    “Untitled #2” with Anastasia Bay, October 2021, Anna Zorina Gallery, NYC, USA

    2019

    “Dancing in the Dark” with Francisco Moreira in March Galerie 42B, Paris, France
    “Comme-ci, comme-ca” with Rachael McCully Kerwick - Lisbon Andenken Gallery

    And more …

    Museum/Institution Shows

    Thyssen Museo solo presentation, September 2023, Madrid, Spain
    Wellington Arch Museum solo presentation, April 2022 London, UK
    “Abstraction/Figuration”, September 2020, Kunstbygningen I Vra Museum
    “Stilleben”, September 2019, Kunstbygningen I Vra Museum,

    Fairs

    TEFAF Maastricht with Galerie Mayoral, March 2024
    Frieze Sculpture London with Vigo, 2022, London, UK
    Untitled Miami with Vigo, 2022, Miami, USA
    Armory with Vigo, September 2021
    Art Rotterdam with Everyday Gallery, July 2021
    Untitled Miami with Anna Zorina Gallery, December 2020
    Future Fair – NYC with Anna Zorina Gallery, April 2020
    Sydney Contemporary with Piermarq Gallery, September 2019

    More about the works presented during ART RUSSIA 2025 Fair

    The Tiger Sculpture: The Tiger’s Gaze – A Totem of Strength and Illusion

    Kerwick’s double jaw tiger head sculpture emerges as guardian of the Dreamscape—watchful, bold, and enigmatic. Crafted with raw materiality and an almost ritualistic simplicity, these work bridge the physicality of sculpture with the psychological depth of mythology. The tiger, often a central figure in his paintings, now takes three-dimensional form, standing as both a symbol of strength and an illusion of control.

    Drawing from ancient totems and modern surrealism, Kerwick’s sculptural tiger stares at the viewer with a 3rd eye unwavering and full of presence evokes the primal connection between humans and nature, a reminder of our instinctual selves.

Artwork enquiry

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A colorful painting of a snake with a tiger's head and a headdress with feathers, set against a night sky with a crescent moon and clouds, on a green grassy field with pink flowers.
Colorful painting of a room filled with plants, flowers, and various decorative objects, including a peacock sculpture, framed pictures, and a person standing near a table. The artwork features bold patterns and vivid colors.
Contemporary artwork by Australian artist Jordy Kerwick installed at ROBINEAU ART Gallery in Moscow for PORTAL
A realistic-looking tiger head sculpture with its mouth open, showing sharp teeth, inside a wooden box or enclosure.
Bright colors and bold patterns depict a stylized swan with red wings, a patterned black and white neck, and a blue comb, set against a pink and purple patterned background with a teal and pink backdrop of green leafy plants and pink flowers.
Colorful painting of five women with distinct hairstyles and clothing, standing in a grassy area with trees, a water body, and a blue sky in the background. One woman has a wide-brimmed hat, another has a large feathered headdress, and the others hav
Colorful artwork of two anthropomorphic animal characters with elaborate feathered headdresses and tribal costumes, engaging in a confrontation in a stylized setting with geometric mountain shapes and zigzag patterned flooring.
A colorful, intricate painting of a mythical scene with a lion, multiple dragon-like creatures, and two women in traditional attire, set against mountains and a river.
Black and white portrait of a young woman with long, straight hair, wearing a dark top and a hoop earring, in profile view against a dark background.

KIM HYUN-HEE

Artist Hyun-hee Kim explores the possibilities of the future by combining familiar and faded images from the past with modern materials. Kim focuses on the fact that furniture is a slow-moving medium that becomes a part of daily life and brings about change, and tells a story through the solidarity medium of traditional Korean furniture. In particular, she pays attention to ‘Gyubang furniture’ (Gyubang means the inner space of the house), which was used in the living space of women in the past, and redefines classical beauty as a present value. She expresses her awareness of problems in her daily life, such as liberation from stereotypes surrounding gender issues and rediscovery of the value of everyday life, which are taken lightly, through furniture. She focuses on the living space of women in the Joseon Dynasty and women’s room furniture, redefining classical beauty as a modern value. Her furniture uses transparent and translucent materials to eliminate existing walls, erases the boundaries between inside and outside, and attempts to communicate with the world by breaking down the boundaries

Kim’s creative brilliance has attracted prestigious global brands with Rimowa and Cartier, and her work and vision have been featured in leading fashion publications including Vogue and Elle.

  • Education

    2017 BFA Woodworking & Furniture Design, Hongik University, KR

     Solo Exhibitions

    2020 White Nostalgia, SOSHO, Seoul, KR

    Selected Group Exhibitions

    2021 Louis Quatorze - Find Your Light, PLATFORM-L, Seoul, KR
    2021 Hyperlinked Columns, Keep In Touch, Seoul, KR
    2021 Good After Noon, Premises of Baelyeom, Seoul, KR
    2021 Problematic Craft, Artbit Gallery, Seoul, KR
    2020 Future Masters, Tong-in Gallery, Seoul, KR
    2020 ASYAAF Festival, ASYAAF, Seoul, KR
    2020 Boundary Between Real and Virtual, Suchang Cheongchun Mansion, Daegu, KE
    2019 Future and Dream Craft, Cheongju International Craft Biennale, Cheongju, KR
    2019 Sulwhasoo Art Project, Sulwhasoo & Seoul Cultural Foundation, Seoul, KR
    2016 Everyday Happiness, H-art Gallery, KR
    2016 Rebirth, Space B-E Gallery, Seoul KR
    2016 Exhibition of Craft Competition, Ik-san  Arts Center, Ik-san, KR

     Awards & Grants

    2019 Cheongju International Craft Award, Cheongju, KR
    2016 Iksan National Craft  Award, Ik-san, KR

ARTWORK ENQUIRY
A tall, white wooden cabinet with decorative circular patterns on the doors and a curved base, set against a white background.
Two transparent containers filled with white granular substance, stacked on a white surface against a light gray background.
A sleek, modern bar or counter with metal framing and wooden panels, featuring a minimalist design.
A light pink wooden cabinet with white metal decorative corner accents and hardware, featuring a classic latch on the front.
A white-painted wooden cabinet with ornate curved legs and metal hardware, set against a plain white background.